The lights – they flicker, casting an eerie and unnatural light in the room. The rush of the traffic sounds from below, muffled by the moth-eaten curtains drawn across the broken window. There is a television – switched on – sat in the corner of the dingy room, showing nothing but black and white snow; painting the coffee table topped with an overflowing ashtray and piles of dirty crockery in a silvery complexion. The floor is colourful – splattered with stains of every colour and strewn with clusters of rodent droppings and varying sizes of some white marble. The chipped stone forms a loose trail, increasing in size as it nears the source. A sharp ring of metal on stone can suddenly be heard. *ching* And again. *ching* And again. *ching* The sound was continual; rhythmical; methodical. It gets louder, vibrating the air around a four foot tall obelisk of grey-white marbled stone. The material seems to glow – luminescent; iridescent; vibrant; effervescent with a shimmering sheen. Behind the solid block, with hammer and chisel in hand, is the Man – the Creator.
The Man is aged – his face is weathered and creased; his hair is a dirty grey, extending past his shoulders; his eyes are lifeless and blank, gazing into a distant world and time; his hands are blistered and dry. There are flakes of maroon where his fingers are grasping the tools’ handles – tight and unrelenting. In a rehearsed and well-practiced manner, He brings hammer to chisel, striking the living matter for the 8456th time to date and another piece of glittering mass falls to the ground.
The clock on the wall ticks away – counting the minutes, the hours and the days. The figure continues his exercise of chipping away at the stone, molding it into the shape in his mind. As the days continue to pass, the mess on the floor builds around the Man’s feet. *ching* *ching* *ching* *ching* *ching* *ching* And then it stops. A whole year has elapsed. 365 days of continuous labour came to an abrupt halt. The Artist stood – eyes not even looking at the finished product. There was no need to – His muscles had memorised every necessary movement to create what He wanted. With supernatural strength, He hoists the statue onto his shoulder and moves towards a door concealed in the darkest corner of the room – a solid iron door, too heavy for those below him. He pushes against the side of the door and slowly – and unnervingly quietly – the door opens. With the portal fully open, he grasps at the single thread of wire suspended from the ceiling. And like the the First day, there is light. Light to reveal this hidden gallery of sculpture; this factory of forgery and replication. Row after row of identical figurines crafted out of the same matte rock, the lustrous glow no longer emanating from them. He sets His most recent creation down, returns the room to darkness and closes the door once more. He strides back to his seat, picks up his tools and waits for His next delivery.
